Critic Mahmoud Abdel Shakoor says in his book "How to Watch a Movie", that dialogue in itself is a difficult art complementing the art of cinema, pointing out that Egyptian cinema in its golden age relied on giants specialized in dialogue, such as El Sayed Bedeir, Abul El-Saud El Ebiary, and Badee' Khairy, who were assigned to
The Rajaz meter relies on the activation of "Mustainilun", which is repeated three times in the first hemistich and three times in the second hemistich of the poetic pattern. It consists of: short movement + pause (minor reason) + double movement + pause (major reason), structured as follows:
Mustainilun Mustainilun Mustainilun
For centuries, the African continent has suffered from the slave trade and colonialism, and it still suffering from the absence of democracy and civil wars, and today it is going through an ordeal of military coups and environmental disasters; a scene that requires word guardians to move.
Our world is experiencing a wave of human rights
“I am busy”, said the sea. “I am busy, think of me”.
I remembered Sir Cecil Spring Rice’s poem when I sat idly on the seashore one day.
“I am busy,” said the sea,
“I am busy. Think of me,
Making continents to be.
I am busy,” said the sea.
I started watching the
Since the beginning of the third decade of the twenty-first century, the different populations of the world have started experiencing numerous global disasters and catastrophes, which resulted in genocides where no nation was spared its share. It started with the Coronavirus pandemic and then its variant, a situation that everyone believed,
