Le cœur n’a pas de passeport Il cuore non ha passaporto The Heart Carries No Passport The Century Deal: What Uber and Delivery Hero Mean for the Future of Food Delivery Can a Woman’s Heart Really Break from Emotional Distress? Science Has an Answer On Her Birthday.. Sana El Bissy: A Journey of More Than 50 Years Between Journalism and Fine Arts Emirati Cardiac Surgeon Wins the Golden Lion for Medicine in Venice Egypt and the UAE.. A Partnership Built on Trust, Guided by the Future
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Emirates Falconers Club showcases its projects at ADIHEX 2024

Under the patronage of H.H. Sheikh Hamdan bin Zayed Al Nahyan, Ruler's Representative in Al Dhafra Region and Chairman of the Emirates Falconers’ Club, and in collaboration with strategic partner ADNEC Group, the Abu Dhabi International Hunting and Equestrian Exhibition (ADIHEX) returns for its 21st edition from 31st August to 8th

Rock Carvings in Azad Kashmir’s Chitter Pari

Alongside cup-marks, the Chitter Pari rock art site features anthropomorphic, zoomorphic and geometric motifs In 2008, I visited Chitter Pari for the first time as I was travelling to Mirpur City. A friend had told me about the rock carvings in Chitter Pari village while I was doing research on the cultural landscape in Punjab’s

Reviving Individuality: Nurturing Free Thought in Modern Education

The current state of education, with its emphasis on conformity and standardized testing, has led to the erosion of individuality and creativity among students In an era where education is often reduced to a system of standardized tests and rigid curricula, the individuality and natural curiosity of children are increasingly at risk of

Alexandra Ochirova’s book “Russian Cosmism”

A Bridge to Cross Times By: Ashraf Aboul-Yazid Alexandra Ochirova’s book “Russian Cosmism” opens the doors to an extraordinary world where philosophy, art and poetry are intertwined. This book represents a significant contribution to the study of Russian cosmism, covering not only national, but also universal aspects

Bitter Orange by the Lebanese writer Basma ElKhatib

We follow the swing that the narrator took in “Bitter Orange” by the Lebanese writer Basma ElKhatib (Dar Al-Adab) as a deceptive, rotating place from which she appears to tell, between a backward jolt that overlooks a past in which the most painful thing is, and the most beautiful thing in it is almost absent, and a forward jolt