Memories of Abdeen and Maadi A Fraudster Who Defrauded the Story of His Own Fraud Me, Field Marshal El-Gamasy, and Translation When We Reach Our Eighties The Joy I Lived How Iran thinks: Sadat’s early reading of a revolutionary state Article by Eng. Ahmed Bahgat – IT Expert & AI Projects Consultant Nashwa Al Ruwaini Among the 100 Most Impactful Voices
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Smokes on Screen – Poetry from a Refugee Camp

Charles Lipanda Matenga, born in DR Congo, raised orphan, and living in Dzaleka Refugee Camp, Malawi, shares three of his poems Charles Lipanda Matenga is a published poet, writer, author of Our Voice is Our Catalyst Anthology with Salvador CapBic and performer in Slam Poetry from our talents, our advocacy festival, Tumaini Festival and

Halal Fashion Show in Korea

A live event was held in Seoul in conjunction with 150 cities around the world A Halal Fashion Show was held in Dongdaemun on February 1st. This is the ‘K-FASHION and Modest Fashion Convergence and Marketing Seminar’. A live event was held in conjunction with 150 cities around the world. New York, London, Paris, Stockholm,

The Flowers’ Power – A Bouquet of Poems from Sicily, Italy

Enza Salpietro, a poet and writer from Catania, Sicily-Italy, shares her five poems Enza Salpietro is a poet and writer from Catania (Sicily-Italy). She graduated in Modern Literature at the University of Catania and lives in the province of Catania. She published four books: Poesie Furbe (Kubera Edizioni), L’Antico drawing

Ground Zero – A Poem from Korea

Hojun Suh, a young poet from Korea, the land of Morning Calm, shares his poem Poet Mr. Hojun Suh was born in Seoul, South Korea in 1986. He majored in sociology in college and creative writing in graduate school. He began publishing his works in the independent literary magazine ‘Further’ in 2017, and was shortlisted for

Sally El-Zeiny strengthens image of painter woman in Egyptian and Arab arenas

In Sally El-Zeiny’s recent exhibition, the literature of Naguib Mahfouz occupied a distinguished place Sally El-Zeiny has strengthened the image of the painter woman in the Egyptian and Arab arenas. Her works have such an imprint that one does not search for her signature in order to know that the painting is hers, as it presents the