100 Books.. 100 Authors: Global Initiative Whom Do We Allow to Dwell in Our Consciousness? Quando un medico porta nel mondo l’eredità di Zayed When a Doctor Carries Zayed’s Legacy to the World “Al-Fankoush”… and the Science of Manufacturing Desire Digital Coexistence Between the Human Brain and AI:A Technological Revolution or a Tool for Control? When market power moves under one roof Le cœur n’a pas de passeport
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Shattered Dreams – A Short Story

Story of a girl hailing from a remote town of Sindh who wanted to study for a better future and faces harassment at university University life is full of hopes and happiness, students study in university for different hopes, different dreams, and for different purposes. Where many students dream of learning, many students want to enjoy

Ajman has over 8,300 green buildings

The Municipality and Planning Department in Ajman announced that the total number of green buildings in the emirate has reached 8,335 buildings according to the green building standards for residential buildings. This comes in line with the state's directives and embodies the methodologies adopted in the Year of Sustainability, which

The Chronicles of Silence: An Interview with Dr. Hamida Khuhro, a renowned historian – PART – XIV

The people, who came to Sindh after One Unit, should not have citizenship rights, particularly the right to vote – Dr. Hamida Khuhro [Translator’s note: This is a translation of renowned historian Dr. Hamida Khuhro’s comprehensive interview, originally published in the Sindhi magazine Nao Niapo, Karachi in May, 1986. The

Smokes on Screen – Poetry from a Refugee Camp

Charles Lipanda Matenga, born in DR Congo, raised orphan, and living in Dzaleka Refugee Camp, Malawi, shares three of his poems Charles Lipanda Matenga is a published poet, writer, author of Our Voice is Our Catalyst Anthology with Salvador CapBic and performer in Slam Poetry from our talents, our advocacy festival, Tumaini Festival and

Sally El-Zeiny strengthens image of painter woman in Egyptian and Arab arenas

In Sally El-Zeiny’s recent exhibition, the literature of Naguib Mahfouz occupied a distinguished place Sally El-Zeiny has strengthened the image of the painter woman in the Egyptian and Arab arenas. Her works have such an imprint that one does not search for her signature in order to know that the painting is hers, as it presents the