Memories of Abdeen and Maadi A Fraudster Who Defrauded the Story of His Own Fraud Me, Field Marshal El-Gamasy, and Translation When We Reach Our Eighties The Joy I Lived How Iran thinks: Sadat’s early reading of a revolutionary state Article by Eng. Ahmed Bahgat – IT Expert & AI Projects Consultant Nashwa Al Ruwaini Among the 100 Most Impactful Voices
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In the Kingdom of Death (War Chronicle/Diaries) – Part 9

Fehmi Ajvazi, an eminent author from Kosovo, has shared his book ‘In the Kingdom of Death’ published in Albanian in 2012 in Pristina, and in Romanian in 2019, and was translated from Albanian to English Fehmi Ajvazi author [In March 1999, the Serbian regime blanketed Kosovo with a contingent of 120,000 regular police,

In the Kingdom of Death (War Chronicle/Diaries) – Part 4

Fehmi Ajvazi, an eminent author from Kosovo, has shared his book ‘In the Kingdom of Death’ published in Albanian in 2012 in Pristina, and in Romanian in 2019, and was translated from Albanian to English. Sindh Courier is starting its episodes for the readers Fehmi Ajvazi author [In March 1999, the Serbian regime

Never Prayed Before – A Poem from Odisha, India

Oh Lord! Never have I urged Before your Highest Court To change things Upside – down Dr. Bhawani Shankar Nial, renowned poet from Odisha state of India, shares his poem Internationally acclaimed poet Dr. Bhawani Shankar Nial was born on 6th July 1968 in Kalahandi district, Odisha state of India. He is also a Human

35-Day World Culture Festival to begin in Karachi on Sep. 26

Landmark cultural event will feature over 400 artists from 40 countries, including Europe, America, Africa, and Arab nations The festival will run from September 26 to October 30 Karachi, Sindh The 35-day World Culture Festival Karachi, an event fully supported and owned by the Sindh Government, will commence on September

Mohamed Baraka in (The Lady's Tavern): Is it True that Love is Overwhelming?

I almost claim that the art of autobiography in Arabic literature has been greatly wronged by its writers, who have taken it out of the framework of history, documentation, and written confession, into the space of beautifying the writing selves, improving faded images, and even inventing fake histories that rely on ignorance of the