I believe that human awareness of situations is much like the concept of camera lenses. Just as lenses capture images, we capture situations, and we are similar in how they work and their mechanisms. There are those with narrow vision, those with wide, those that are flexible and moving, and those that are static. Some are concerned with the general picture, while others don't care about the background, rendering it blurry and unclear for the purpose of highlighting a certain part of the image.

Some are interested in the minute details of all angles. Their operation techniques mostly depend on the amount of light falling on them, the amount of light allowed to pass through them, which is represented by the amount of information and details that we derive from situations, the quantity we are allowed to know, or our general view with our different backgrounds of what we see from the world.

Just like us humans, some only see from one narrow angle, and others pass judgments that are often according to our view of the situation and what our information, which could be right or wrong, has translated to us. Some see from the distant lens, if they do not find from it what they want, they seize the opportunity and technology and capture the appropriate moment to pounce on it with their lens. They may get closer and closer and closer to the closest possible point regardless of the right of view, the right of the picture, the right to know, or the right to be close to the basis.

And some are the owners of the grand panoramic view, who capture the image with a wide vision that contains the entire front scene, but lacks the backgrounds that produced the scene, its circumstances, or what preceded the moment of capture or vision. There are those with a 360-degree lens, who possess the awareness and ability to understand that makes the image moving while it is silent, playing with all the strings professionally within all corners of the image however and whenever they want.

Here the situation is subject to one standard... it is morality and his free choices. Do they capture those disgraceful images or do they capture images that touch the heart to express the beauty of the universe, the beauty of the scenes, the beauty of the human, or to console or comfort a heart with them. There are the convex or concave lenses that work to show the image and situations reversed so you see it in the end as the capturer wanted it. Situations and lenses are the same mechanisms with the same idea of work.

And you alone have the freedom to choose which of the cameras and which of the lenses you will carry to see the world. Will you carry clean and clear lenses to see the beauty of the world and enjoy it and amuse the world with it, or will you carry black, narrow, foggy ones to capture what is below the level of sight...