In the factory, nothing is supposed to stop. The machines turn, the conveyor belts move, and the worker is expected to keep pace with a rhythm that will not wait for him. Then, suddenly, a new invention appears: a machine designed to feed the worker where he stands, without requiring him to leave the production line. Charlie Chaplin is
In the film Waheda bi Waheda (One by One), the celebrated Egyptian actor Adel Imam plays Salah Fouad, a man working in advertising who invents the name of a product that does not actually exist: “Al-Fankoush.” There is no factory, no packaging, no product anyone can buy—only a name and an advertising campaign clever enough
The Uber–Delivery Hero deal is being described as the largest merger in the history of food delivery. That is true, and it misses the point. The transaction redraws the map of a sector that has become central to the Middle East's digital economy, and it sets Arab competition authorities a real test of what they are for.
The deal
On August 3, Egypt’s artistic and journalistic communities celebrated the birthday of Egyptian writer and journalist Sana El Bissy, one of the most distinguished figures to have left an exceptional mark on Arab journalism. For more than five decades, she has successfully combined the sensitivity of an artist with the precision of a
There are celebrations that simply commemorate history, and there are celebrations that embody its true meaning. Each year, the anniversary of Egypt’s 23 July Revolution holds a profound place in the hearts of Egyptians. Yet celebrating this occasion in the United Arab Emirates carries an even deeper human and fraternal significance,
