The Committee for Festival Management and Cultural and Heritage Programs in Abu Dhabi previously introduced a television program named "Al Mankous", similar to the programs "Amir Al Shu'ara" (Prince of Poets) and "Shi'ir Al Million" (Million's Poet). As part of a poetic competition, various poets
A Review of the Short Story Collection "Land Trapped" by the Libyan Writer Omar Al-Kikli.
The binary of the writer and the text is no longer the sole concern of literary criticism. Instead, the receiver, or the reader, has been added as a crucial element, thus forming a new binary: the reader and the text.
Reception
The celebration of Saudi National Day invokes connections and intricate relations between past, present, and a shared future. These connections span heritage, trade, construction, innovation, creativity, coordination, and shared visions, as well as cooperation and openness to the world at large. Love, prosperity, and optimism for the future
Critic Mahmoud Abdel Shakoor says in his book "How to Watch a Movie", that dialogue in itself is a difficult art complementing the art of cinema, pointing out that Egyptian cinema in its golden age relied on giants specialized in dialogue, such as El Sayed Bedeir, Abul El-Saud El Ebiary, and Badee' Khairy, who were assigned to
The Rajaz meter relies on the activation of "Mustainilun", which is repeated three times in the first hemistich and three times in the second hemistich of the poetic pattern. It consists of: short movement + pause (minor reason) + double movement + pause (major reason), structured as follows:
Mustainilun Mustainilun Mustainilun
