Novel: A Woman between Two Men – Part-4 Sindhi Cultural Program held in Vadodara The world belongs to brave souls… In the Kingdom of Death (War Chronicle/Diaries) – Part 26 Living together – Poetry from Italy Emirates extends partnership with DP World Tour until 2031 A safe haven for memories In the Kingdom of Death (War Chronicle/Diaries) – Part 24
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The Unseen – Poetry of an Albanian Exiled Poet

No one sees them, pretending not to notice, They remain the ghosts of misery living among us, Some whisper that they pollute us so much, Somebody who have never seen misery in life. Kujtim Hajdari, an Albanian exiled poet, shares his poems Kujtim Hajdari was born in Hajdaraj, on April 10, 1956, in the city of Lushnjë,

Rock Carvings in Azad Kashmir’s Chitter Pari

Alongside cup-marks, the Chitter Pari rock art site features anthropomorphic, zoomorphic and geometric motifs In 2008, I visited Chitter Pari for the first time as I was travelling to Mirpur City. A friend had told me about the rock carvings in Chitter Pari village while I was doing research on the cultural landscape in Punjab’s

Reviving Individuality: Nurturing Free Thought in Modern Education

The current state of education, with its emphasis on conformity and standardized testing, has led to the erosion of individuality and creativity among students In an era where education is often reduced to a system of standardized tests and rigid curricula, the individuality and natural curiosity of children are increasingly at risk of

How Mohamed Okasha Raised His Creative Clouds

The poet, critic and artist Mohamed Okasha faces our creative life with more than one mask. We can describe these masks accurately when we read his poetic and prose texts, follow his critical analyses, or stand before his sculptural works. How to Raise a Cloud, Book Cover If we praise words by describing them as painted with

Bitter Orange by the Lebanese writer Basma ElKhatib

We follow the swing that the narrator took in “Bitter Orange” by the Lebanese writer Basma ElKhatib (Dar Al-Adab) as a deceptive, rotating place from which she appears to tell, between a backward jolt that overlooks a past in which the most painful thing is, and the most beautiful thing in it is almost absent, and a forward jolt