100 Books.. 100 Authors: Global Initiative Whom Do We Allow to Dwell in Our Consciousness? Quando un medico porta nel mondo l’eredità di Zayed When a Doctor Carries Zayed’s Legacy to the World “Al-Fankoush”… and the Science of Manufacturing Desire Digital Coexistence Between the Human Brain and AI:A Technological Revolution or a Tool for Control? When market power moves under one roof Le cœur n’a pas de passeport
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100 Books.. 100 Authors: Global Initiative

A new chapter in cross-cultural literary exchange brings together poets, novelists, and authors through books published in English and Italian. Italian editors, authors, and publishers Gioia Lomasti and Emanuele Marcuccio are preparing the second volume of their international publishing project, 100 Books, 100 Authors, an initiative

Whom Do We Allow to Dwell in Our Consciousness?

In the factory, nothing is supposed to stop. The machines turn, the conveyor belts move, and the worker is expected to keep pace with a rhythm that will not wait for him. Then, suddenly, a new invention appears: a machine designed to feed the worker where he stands, without requiring him to leave the production line. Charlie Chaplin is

Quando un medico porta nel mondo l’eredità di Zayed

In medicina impariamo presto che, quando un essere umano si trova tra la vita e la morte, molte delle cose che dividono il mondo fuori dalla sala operatoria semplicemente scompaiono. Non contano più la nazionalità, la lingua, i confini o le divergenze politiche. Un paziente entra in sala operatoria con una sola identità:

When a Doctor Carries Zayed’s Legacy to the World

In medicine, we learn early that when a human being stands between life and death, many of the things that divide the world outside the operating room simply disappear. Nationality, language, borders and political differences no longer matter. A patient enters the operating theatre with only one identity: a human being who needs someone to

“Al-Fankoush”… and the Science of Manufacturing Desire

In the film Waheda bi Waheda (One by One), the celebrated Egyptian actor Adel Imam plays Salah Fouad, a man working in advertising who invents the name of a product that does not actually exist: “Al-Fankoush.” There is no factory, no packaging, no product anyone can buy—only a name and an advertising campaign clever enough