Poetry: The Girl Who Doesn’t Read Poetry – A Journey through Silence and Memory In the Kingdom of Death (War Chronicle/Diaries) – Part 13 In the Kingdom of Death (War Chronicle/Diaries) – Part 11 Khalifa bin Tahnoon bin Mohammed visits Traditional Handicrafts Festival In the Kingdom of Death (War Chronicle/Diaries) – Part 10 UCI Urban Cycling World Championships return to Abu Dhabi in December CANEX BOOK FACTORY ANNOUNCES WINNER OF CANEX PUBLISHING PRIZE 2024 17 Countries Participants in the First World Forum of Children's Literature
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Rock Carvings in Azad Kashmir’s Chitter Pari

Alongside cup-marks, the Chitter Pari rock art site features anthropomorphic, zoomorphic and geometric motifs In 2008, I visited Chitter Pari for the first time as I was travelling to Mirpur City. A friend had told me about the rock carvings in Chitter Pari village while I was doing research on the cultural landscape in Punjab’s

Reviving Individuality: Nurturing Free Thought in Modern Education

The current state of education, with its emphasis on conformity and standardized testing, has led to the erosion of individuality and creativity among students In an era where education is often reduced to a system of standardized tests and rigid curricula, the individuality and natural curiosity of children are increasingly at risk of

Alexandra Ochirova’s book “Russian Cosmism”

A Bridge to Cross Times By: Ashraf Aboul-Yazid Alexandra Ochirova’s book “Russian Cosmism” opens the doors to an extraordinary world where philosophy, art and poetry are intertwined. This book represents a significant contribution to the study of Russian cosmism, covering not only national, but also universal aspects

How Mohamed Okasha Raised His Creative Clouds

The poet, critic and artist Mohamed Okasha faces our creative life with more than one mask. We can describe these masks accurately when we read his poetic and prose texts, follow his critical analyses, or stand before his sculptural works. How to Raise a Cloud, Book Cover If we praise words by describing them as painted with

Bitter Orange by the Lebanese writer Basma ElKhatib

We follow the swing that the narrator took in “Bitter Orange” by the Lebanese writer Basma ElKhatib (Dar Al-Adab) as a deceptive, rotating place from which she appears to tell, between a backward jolt that overlooks a past in which the most painful thing is, and the most beautiful thing in it is almost absent, and a forward jolt